#first art I post in months and it’s this

[negativespace06]

BIG sketchbook dump from the past two weeks. over half of it is just team dark because i went a little bit crazy

[jadeharleyinc]

you can run free and open source AI art programs on your personal computer, with no internet connection. this doesn't require much more electricity than running a resource-intensive video game on that same computer. does your insistence on consuming less apply to video games too? do you tell Fortnite players to play board games and go to museums instead?

speaking of museums: if you drive 3 miles total to a museum and back home, you have consumed more energy and created more pollution than generating AI images for 24 hours straight (this comes out to roughly 1400 AI images). "being in nature" also involves at least this much driving, usually. i don't think these are more environmentally-conscious alternatives.

obviously, an AI image model costs energy to train in the first place, but take Stable Diffusion v2 as an example: it took 40,000 to 60,000 kWh to train. let's go with the upper bound. if you assume ~125g of CO2 per kWh, that's ~7.5 tons of CO2. to put this into perspective, a single person driving a single car for 12 months emits 4.6 tons of CO2. meanwhile, for example, the creation of a high-budget movie emits 2840 tons of CO2.

is the carbon cost of a single car being driven for 20 month, or 1/378th of a Marvel movie, worth letting anyone with a mid-end computer, anywhere, run free offline software that consumes a gaming session's worth of electricity to produce hundreds of images? i would say yes. in a heartbeat.

even if you see creating AI images as "less soulful" than consuming Marvel/Fortnite content, it's undeniably "more useful" to humanity as a tool. not to mention this usefulness includes reducing the footprint of creating media. AI is more environment-friendly than human labor on digital creative tasks, since it can get a task done with much less computer usage, doesn't commute to work, and doesn't eat.

and speaking of eating, another comparison: if you made an AI image program generate images non-stop for every second of every day for an entire year, you could offset your carbon footprint by… eating 30% less beef and lamb. not pork. not even meat in general. just beef and lamb.

when it comes to the individual impact of AI (this is what OP's post is about, after all), saying "i don’t actually think you’re entitled to consume those resources. do you need this? is this making you thrive?" to an individual running an AI program for 45 minutes a day per month is equivalent to questioning whether we're entitled to a single 3 mile car drive once per month or a single meatball's worth of beef once per month. because all of these have the same CO2 footprint.

so yeah. i agree, i think we should drive less, eat less beef, stream less video, consume less. but i don't think we should tell people "stop using AI programs, just watch a TV show, go to a museum, go hiking, etc", for the same reason i wouldn't tell someone "stop playing video games and play board games instead". i don't think this is a productive angle.

(sources and number-crunching under the cut.)

good general resource: GiovanH's article "Is AI eating all the energy?", which highlights the negligible costs of running an AI program, the moderate costs of creating an AI model, and the actual indefensible energy waste coming from specific companies deploying AI irresponsibly.

CO2 emissions from running AI art programs: a) one AI image takes 3 Wh of electricity. b) one AI image takes 1mn in, for example, Midjourney. c) so if you create 1 AI image per minute for 24 hours straight, or for 45 minutes per day for a month, you've consumed 4.3 kWh. d) using the UK electric grid through 2024 as an example, the production of 1 kWh releases 124g of CO2. therefore the production of 4.3 kWh releases 533g (~0.5 kg) of CO2.

CO2 emissions from driving your car: cars in the EU emit 106.4g of CO2 per km. that's 171.19g for 1 mile, or 513g (~0.5 kg) for 3 miles.

costs of training the Stable Diffusion v2 model: quoting GiovanH's article linked in 1. "Generative models go through the same process of training. The Stable Diffusion v2 model was trained on A100 PCIe 40 GB cards running for a combined 200,000 hours, which is a specialized AI GPU that can pull a maximum of 300 W. 300 W for 200,000 hours gives a total energy consumption of 60,000 kWh. This is a high bound that assumes full usage of every chip for the entire period; SD2’s own carbon emission report indicates it likely used significantly less power than this, and other research has shown it can be done for less." at 124g of CO2 per kWh, this comes out to 7440 kg.

CO2 emissions from red meat: a) carbon footprint of eating plenty of red meat, some red meat, only white meat, no meat, and no animal products the difference between a beef/lamb diet and a no-beef-or-lamb diet comes down to 600 kg of CO2 per year. b) Americans consume 42g of beef per day. this doesn't really account for lamb (egads! my math is ruined!) but that's about 1.2 kg per month or 15 kg per year. that single piece of 42g has a 1.65kg CO2 footprint. so our 3 mile drive/4.3 kWh of AI usage have the same carbon footprint as a 12g piece of beef. roughly the size of a meatball [citation needed].

(for anyone who'd like to reblog this for the data, and doesn't want to put anyone on blast or bore followers with the whole reblog chain, you can find a standalone version of this post here.)

i love how many AI art haters will with no self awareness whatsoever ask "ummm why don't you just underpay and exploit someone (probably in the global south) instead of using the evil words machine :/"

[lupinqs]

CHAPTER SIX ━━ A Little Too Much

❀ ━ pairing: paige bueckers x oc (jo jacobson)

❀ ━ word count: 6.2K

❀ ━ warnings: like maybe an allusion to sex???

❀ ━ links: my masterlist, nobody gets me masterlist

❀ ━ author’s note: paige bro lock in

PAIGE SINKS deeper into the couch, the familiarity of the apartment wrapping around her like a hug. It’s nice being back, the familiar scent of vanilla (Jo’s candles) filling the space. The TV is tuned to some random college football game—an SEC game that Paige really couldn’t care less about.

Aubrey’s sitting at the other end of the couch, legs stretched out and crossed at the ankle, her arm resting on the back cushion. A bag of chips is balanced precariously on her knee as she scrolls through her phone, glancing up at the screen every now and then to half heartedly comment on a play.

“Nah, ain’t no way Tennessee gets this one,” Aubrey says, tossing a chip into her mouth. “Georgia, no debate.”

Paige snorts, squinting at the game for a moment. “Ion know, the Vols are up.”

“They won’t be,” Aubrey insists, waving the bag of chips for emphasis.

Paige hadn’t realized how much she missed all of this until now. She’s spent the last month in LA, focusing on her rehab at a state-of-the-art facility her team insisted on. The work has been grueling—hours of physical therapy every day, pushing her body to its limits, trying to rebuild what she’s lost.

But being away from her teammates has been harder.

It’s the first week of October now and she hadn’t seen any of them since early September, right before she flew out. Sure, there were texts and FaceTimes—especially with Jo, who’s practically made it her mission to keep Paige from feeling too disconnected. But it isn’t the same as this: sitting on the couch, arguing over nothing, being in one of her best friend’s presence.

“You said Jo was working out with Yanna and Caroline, right?” Paige asks, glancing over at Aubrey. She’d be lying if she said she isn’t anxiously waiting for Jo to get her ass home.

“Yeah, they been at it all day. Jo’s on this whole new grind—something about gettin’ faster footwork or whatever. I dunno, think she just wants to be really prepared for the season, cause—” Aubrey nods to Paige’s knee and Paige nods—Jo is certainly gonna have a huge role for the team this season.

After a moment, though, Aubrey sends her a look, asking, “Why, though? You impatient?”

Paige just rolls her eyes, saying, “It’s just been a minute.”

Aubrey hums, though she doesn’t sound entirely too convinced.

Paige doesn’t much care. She cares more about the fact that she has to sit through nearly the entirety of this football game before she hears the door click open, her head snapping up instinctively. She can hear Jo before she sees her—her sneakers squeaking against the floor, her laugh that’s as bright and familiar as sunlight as she mutters something to—presumably—Ayanna or Caroline, who must still be in the hallway. For a second, everything else washes away—the announcers on the TV, Aubrey scrolling lazily on her phone. Paige’s focus narrows completely, landing squarely on the figure stepping into the apartment.

When Jo finally comes into view, it’s like Paige can breathe again. Except, maybe not, because Jo looks exactly the same and yet somehow better then Paige remembers. Her ponytail is a little messy, strands clinging to her forehead, and her tank top is soaked through with sweat, outlining the lean strength of her frame. Her cheeks are flushed pink and her eyes are sparkling with that post-workout adrenaline.

Paige feels her stomach plummet, a sudden, unwelcome realization inching into her mind. She thinks Jo looks beautiful like this.

“Oh my God, you’re here!” Jo’s voice breaks through Paige’s thoughts, light and high-pitched with excitement. Her smile is wide, open, and utterly disarming, like she’s been waiting for this moment for weeks. She drops her gym bag onto the floor without a second thought and breaks into a jog toward Paige, her arms already outstretched.

Paige stands automatically, her body moving before her brain catches up. And then Jo is there, colliding into her with so much force that Paige actually stumbles back half a step. Jo’s arms wrap around her shoulders, strong and unhesitating, and before Paige even knows what’s happening, she’s being pulling into the kind of hug that makes her feel like melting.

Jo smells like strawberry shampoo and a hint of sweat, a mix that should probably be unappealing but isn’t. Paige’s face ends up pressed against the side of Jo’s neck, and, for a moment, she lets herself completely sink into the embrace. Jo is warm and solid and so full of life, and Paige feels herself relax in a way she didn’t even realize she needed.

But there’s something else, too: a tangle of emotions she can���t—or maybe just doesn’t want—to name. Paige’s hands settle on Jo’s waist, and she pulls her closer, tighter, without even thinking. Her heartbeat picks up, thudding erratically in her chest. She tells herself it’s just the adrenaline of being nearly barreled into.

But then Jo’s laugh bubbles out, muffled against Paige’s shoulder, and Paige feels a little breathless.

“I missed you so much!” Jo squeals, her arms tightening around Paige like she’s never letting go.

Paige smiles, closing her eyes for just a second as her nose nudges Jo’s ponytail. “I missed you too,” she murmurs, and there’s a softness in her voice that surprises even her.

The warmth of Jo’s hug, the way her fingers curl slightly against Paige’s back, makes something twist low in Paige’s stomach. It’s almost too much, but at the same time, not enough. Paige doesn’t want to let go, doesn’t want to think about why this feels different than hugging Aubrey or Azzi earlier.

From behind them, Paige hears Aubrey mutter, “Yeah, maybe a little too much.”

Paige’s eyes snap open, heat rushing to her face. She freezes, her arms going stiff for just a second, but Jo doesn’t seem to notice. Paige’s heart pounds as she wills herself to stay calm, to keep her expression neutral as she pulls back, not too abruptly but enough to put some space between them.

Jo beams, her hands lingering on Paige’s shoulders as she grins up at her. Paige feels like she might die under the weight of it.

“Shit,” Jo says suddenly with realization, stepping back and gesturing to herself. “I’m disgusting right now. I should’ve warned you before jumping on you like that.”

“You’re fine,” Paige says quickly, and then, because she feels like she should say something normal, she adds, “I mean, it’s not like I haven’t seen you sweaty before.”

Jo laughs, the sound bubbling up effortlessly. “Still. Let me shower, and then we’re hanging out. No excuses. I missed you!”

Paige can’t help but smile back, even as her thoughts churn. Jo is grinning at her like she’s the only thing in the world that matters, and Paige feels something warm and unsteady settle in her chest. She watches as Jo grabs her bag and heads toward the bathroom.

Once she’s out of view, Paige sits back down on the couch with a huff. She hates that her heart is still beating too fast.

Next to her, Aubrey hasn’t moved, one arm draped lazily over the back of the couch as she watches Paige with a look that makes the blonde shift a little. The football game continues on, the last few minutes of the fourth quarter blaring, but Aubrey doesn’t seem the least bit interested in it anymore.

Paige finally breaks the silence, blurting out as she turns to Aubrey, “What did you mean by that?”

Aubrey raises an eyebrow. “By what?”

Paige frowns. “That comment you made. About me missin’ her too much.”

Aubrey doesn’t answer right away. Instead, she leans forward, grabbing the remote and lowering the volume on the TV. When she settles back into her seat, she gives Paige a look—a knowing look that immediately puts Paige on edge.

“She has a boyfriend, bro,” Aubrey says simply, as if that explains everything.

“I know that,” Paige snaps, the words leaving her mouth too quickly. She feels a flush creeping up her neck and shifts in her position, trying to look casual, unbothered. “Obviously I know that.”

Aubrey’s gaze doesn’t waver. “Do you?”

“Yes,” Paige says, her voice sharper now. She crosses her arms over her chest, defensive without meaning to be. “’Course I do. What’s your point?”

Aubrey tilts her head, the corner of her mouth twitching like she’s holding back a smirk. “My point is,” she says slowly, “you look at her like she’s the sun or sum. And don’t act like you don’t, ’cause I just saw it.”

Paige scoffs, but it’s weak, almost half-hearted. “That’s fuckin’ ridiculous,” she says, though her tone wavers. “She’s, like, my best friend. I’m just—” She falters, trying to find the right words “I’m just happy to see her. It’s been a month, bro. I’d be like that with anyone.”

“Really?” Aubrey asks, raising her eyebrows. “Uh, you didn’t act like that when I picked you up from the airport. Or when Az came by earlier.”

“That’s different,” Paige says defensively. “You and Azzi—she’s—” She stumbles over the words, annoyed that she can’t articulate why it is different without making it sound worse.

Aubrey doesn’t look convinced. In fact, she looks entirely unimpressed. “Uh-huh,” she says, drawing the syllables out. “P, I warned you about this when you two first moved in together.”

Paige remembers. She remembers when they were moving her bed during the summer and Aubrey had told her seriously, “You cannot fuck Jo Jacobson.”

At the time, Paige had laughed it off. The idea seemed absurd then. Sure, Jo was beautiful, but she was also a freshman and just getting her feet wet here, and Paige would never do that. She would never do that. She still would never do that. But then, Paige hadn’t ever thought of her in that way.

Now—

“I don’t like her like that,” Paige says, her voice firmer than she feels. “I don’t.”

“Uh-huh,” Aubrey says again, in the same tone as before. “Look, I’m not saying you’re doing it on purpose. But, bro, if you do have feelings for her—and I’m not saying you do—don’t let ’em mess with your head. Or the team.”

Paige bristles at that. “I don’t have feelings for her,” she insists. “And even if I did—which I don’t—it wouldn’t affect the team. I’m not that stupid.”

Aubrey shrugs, unfazed. “I’m just saying. Jo’s solid with Asher. Like, really solid. You don’t wanna go down that road.”

Paige feels her chest tighten, and she doesn’t know if it’s because she hates how Aubrey is talking to her or because some small, traitorous part of her knows Aubrey might be right.

“I’m not goin’ down any road,” Paige says, forcing her voice to stay even. “You’re reading too much into this. I’m just happy to see my best friend again. That’s it.”

Aubrey doesn’t press further, but her silence is heavy, loaded with unspoken skepticism. Paige tries to focus on the last few minutes of the football game, but the TV screen practically blurs in her vision as her thoughts spiral.

She tells herself Aubrey’s wrong. That her excitement to see Jo is completely normal. That the way her heart has leapt when Jo walked in the door was nothing more than relief after a long time apart.

But deep down, she can’t shake the way her stomach had flipped when Jo smiled at her. Or the way her chest felt too tight when Jo hugged her, like her ribs were trying to contain something that didn’t want to be contained.

Paige doesn’t know what to call it. She doesn’t want to know.

JO’S EYES remain glued to the screen, but she doesn’t even notice what’s happening in the episode anymore. She missed this—missed the nights spent lying next to Paige, the “sleepovers” which are really just code for one of them being too lazy to walk back into their own rooms and crawl into their own beds.

Jo’s massaging Paige’s knee, the rhythm comforting and almost mechanical now. It’s just what they do; she’s done it a thousand times over since her surgery, though it’s been a month since she’s done it now. She knows how much it helps Paige, and it’s not like it’s anything weird—just a friend doing something nice for another friend, a friend that’s gone through this same thing before and knows what can help.

She’s not thinking about the way Paige’s leg feels under her palm, how soft the skin is, how warm. She’s not. She’s not thinking about how close they are, how the smooth skin of Paige’s thigh rests under her cheek, or how the way Paige moves so naturally beside her makes her chest feel tight in a way that doesn’t make sense.

Paige lets out a soft sigh, and Jo doesn’t quite know why it sends a little flutter through her. She shakes it off quickly, adjusting her position to be more comfortable, still massaging her knee.

They’re almost at the end of first season of The Vampire Diaries now, and Jo’s surprised that Paige has stuck with it. She thought, with all the complaining, that Paige would have tapped out after a few episodes, but here they are, still going strong. Jo knows her well enough that she can tell that Paige has actually started to get into it. Maybe not as much as Jo, but enough to make comments and roll her eyes at the sometimes ridiculous drama.

“You can’t actually be Team Damon, P,” Jo says, shaking her head against Paige’s thigh, letting her fingers glide over the tender muscle beneath Paige’s knee. “Like, come on, girl. Stefan is clearly the better choice.”

Paige shifts slightly, and Jo glances up to see the blonde smirking down at her. Her cheeks are a little flushed and Jo can understand why—it’s hot in here. Maybe they should turn the heat down. “Ion know, JoJo. Damon’s a lot more interesting.”

Jo huffs, “Yeah, well, interesting isn’t always the best option. You need someone who’s steady, who’s good for you.”

“Who’s ‘boring,’ you mean?” Paige’s voice is light, a teasing edge to it.

Jo shakes her head again, laughing a little. As she does so, her lips lightly graze the top of Paige’s thigh. She doesn’t think anything of it. But then she feels Paige’s leg tense up. Jo stills her hand on her knee, thinking she might’ve done something wrong. But then, maybe a second later, Paige is relaxed again, and she doesn’t say anything, so Jo cautiously resumes the massage.

“Yeah, boring’s fine. It’s good. It’s better than all the shit Damon brings,” Jo says.

She can feel the subtle shift in Paige’s posture—she’s looking at Jo, eyes soft, gaze steady—and Jo quickly glances back at the TV, avoiding it. She doesn’t know why. Because it’s because if she lets herself look at Paige for too long, she’ll start thinking about things she’s not supposed to.

“Whatever,” Paige says after a pause. “I still think Damon’s cooler.”

Jo just snorts as she finishes working on the blonde’s knee, feeling the tension slowly melt away as her fingers work the muscles. A final press of her thumb into the joint elicits a soft sigh from Paige, and Jo grins slightly, the satisfaction of helping her best friend making it worth it.

Her fingers ache slightly from the pressure, but it’s nothing really. She looks at Paige briefly before flopping down beside her, her legs splaying out on the bed as she turns onto her stomach. The weight of the day and the long workout is starting to press in on her, and the soft, quiet room feels soothing. “My turn,” she says with a little grin, throwing a look over at Paige as she gestures to her back. It’s a deal they became accustomed to before Paige went off to LA—Jo massages Paige’s knee, and Paige takes care of the horrendous knots in Jo’s back. Simple.

Paige stares at her for a moment, a faint smile tugging at the corner of her mouth, before moving over to straddle Jo’s hips and starting to knead into her back. Jo tries to relax, exhaling deeply as Paige’s hands work their way over her tense muscles. It’s familiar and comfortable, and God, is Jo glad Paige is back in Storrs.

Paige’s fingers press into a particularly stubborn knot, right between Jo’s shoulder blades, and Jo winces, just a little. It’s the one knot that never seems to go away, no matter how much she tries to stretch or work it out. It’s been there for years, a stubborn thing.

“Still there?” Paige’s voice is soft, but Jo can hear the hint of concern.

The younger girl nods into the pillows. “Mmm, yeah, it never goes away.”

Paige hums in acknowledgement, and Jo hears her shift slightly. For a moment, she wonders if Paige is just going to stay where she is and work the knot from the outside, but then, to her surprise, she feels Paige’s hands move to the bottom of her t-shirt, sliding under the fabric carefully.

“Lemme get in there,” Paige murmurs lowly.

The words and the cool air against her skin sends a shiver down Jo’s spine, but she doesn’t pull away. Paige’s touch is so familiar, so comforting, that even the shift in how they’ve positioned doesn’t feel strange—at least, it shouldn’t. She can feel Paige’s fingers move under the fabric, creeping up her spine near her shoulder blade, right where she can press deeper into the knot. The pressure is sudden but not unwelcome. It’s exactly what Jo needs.

“Mmm, that’s better,” Paige says softly, her voice closer now, almost against Jo’s back, as she works the knot precisely. Her fingertips press firmly into the spot, working the muscle, easing the tendon.

The warmth from Paige’s fingers against her skin sends a wave of heat through Jo’s body, and she lets out a breath she didn’t realize she was holding. The knot is finally loosening, and for a brief moment, she’s too focused on the sensation to even process anything else. Paige’s hands move with ease, like she’s done this a thousand times. And she has. Or, well, at least a few.

“You good?” Paige asks, voice soft but steady, like she’s concerned, and Jo feels a strange pull in her chest.

Jo hums in response, though it comes out softer than she intended. “Yeah, that feels perfect.”

For a moment, there’s silence between them, and all Jo can focus on is the steady rhythm of Paige’s hands as they move over her back, the weight of her stomach settling into Jo’s muscles. The room is even warmer now—they really should turn down the heat. Even if it’s Connecticut, it’s only October. That, or maybe it’s just the proximity, the closeness of Paige’s body to here. Jo doesn’t know what it is, but her heart’s not beating the way it usually does.

Paige’s hands slide back up, pressing into the tender spots along Jo’s shoulder blades, and Jo bites her lip, trying to ignore how good it feels.

And then, without thinking, Jo shifts slightly, a small motion that presses her chest just a little closer to the bed. With the movement, her body aligns a bit more with Paige’s, and suddenly the space between them feels too small, too close. She can feel Paige’s breath against her back, steady and warm, and Jo’s pulse quickens despite herself.

“God,” Jo mutters. “You’re good at this.”

Paige’s fingers stop their movements for a moment, as if processing the words. “It’s nothing,” she says, but there’s something different in her voice. Maybe it’s just how close they are, or maybe it’s the weight of the silence hanging between them, but Jo’s pretty sure she hears a shift in the way Paige speaks. A slight tension in her voice that Jo can’t explain.

Eventually, Paige finishes working the knot, her hands pulling away slowly. Jo almost feels a pang of disappointment, but she can’t place why. She’s just relaxing, just letting herself unwind. It’s nothing.

Paige lies back down next to her, the space between them still feeling a little smaller than it should be. Jo turns her head to meet Paige’s gaze, their faces just inches apart.

“Better?” Paige asks, her voice soft and almost too quiet. Her fingers trail lightly down Jo’s spine, slipping out from under her shirt with a gentle touch that sends a small shiver through Jo.

Jo smiles a little, nodding. “Yeah,” she murmurs. “Thank you.”

Paige nods, her lips lifting at the corners a little before Jo turns her gaze back to the TV. She tucks her hands under her cheek as she lays on her side, eyes lazily watching the screen. Damon and Elena are fighting over something—per usual.

She doesn’t even notice at first when Paige shifts, her leg brushing against Jo’s under the covers. And then she slides a little closer, her shoulder brushing against Jo’s arm. Her face is even closer now, and Jo’s aware of that. She can feel her breath against her skin. It catches her a little off guard, but it’s not weird. It’s just how they always seem to end up—close.

“I missed you, Joey.” Paige’s voice, so soft, echoes through the room.

Jo glances up, meeting her gaze. It makes her smile. “I missed you too.”

And she did—she got so used to being so close to her that it was terrible when she was gone for so long. So bad it felt like Jo was going through withdrawal or something. And it only makes it worse that she’s flying back out in a couple days and Jo is going to have the apartment to herself again.

Paige’s face is still close, her eyes searching Jo’s for something. They’re so blue, even in the dim lighting of the room, and they feel like an ocean Jo could easily drown in.

She doesn’t know why she does it, but she presses herself closer still, their chests touching now, Jo’s nose brushing against Paige’s neck. Their legs tangle more under the sheets, and Jo feels Paige wrap her arm around her waist gently, letting it rest there. Jo doesn’t mind.

It’s just them. It’s just how they are.

PAIGE WAKES slowly, the soft morning light streaming through the slats of the blinds casting stripes across the bed. Her body feels heavy, warm, and there’s a comforting weight against her arm. Blinking her eyes open, she shifts her head on the pillow and glances down. Jo is still asleep beside her, her face soft in the pale light, her features slack with peace.

Jo looks… pretty, Paige thinks, her thoughts still hazy with sleep. Her hair is tousled, sticking up slightly at the crown from no doubt a restless turn in the night, but it only makes her look softer, less put together in a way that feels intimate. Paige is half aware of the fact that her own arm is tucked under Jo’s, her hand resting near Jo’s waist. Their legs are tangled together, too, her calf brushing Jo’s under the covers.

Paige doesn’t move immediately. She doesn’t want to. It’s warm like this, comfortable, and even though the logical part of her brain tells her to pull away, to avoid making it weird, she stays where she is.

Her gaze lingers on Jo’s face, on the slight curve of her lips, the freckles dusted across her nose that are barely visible. There’s something unguarded about Jo in the morning, something vulnerable and even sweeter than she is when she’s awake.

Last night drifts back to Paige’s mind. The massages, the feel of Jo’s hands on her knee, the feel of Jo’s back under her hands. The way Jo told her she missed her, too. Paige had meant it when she told her—she’d missed Jo more then she thought she would during her time in LA. But it’s not just that. There had been something else in the air last night.

Maybe it’s just the shift of being apart for a month, she tells herself. That’s all. It’s just the way things feel different when you come back to someone after being away. Things will settle back into place eventually. They always do.

Jo stirs slightly in her sleep, her brow twitching, and Paige instinctively stills, not wanting to wake her. The younger girl murmurs something unintelligible and shifts closer, her head tilting toward Paige’s shoulder, and Paige’s breath catches for half a second.

The buzz of a phone breaks the quiet, cutting through the gentle hum of the morning. Paige blinks, her thoughts scattering, and she glances toward the nightstand. The phone buzzes again. She assumes its hers—she gets texts at odd hours from basically everyone. Without thinking, she reaches out, fumbling for the phone blindly without lifting her head.

Her fingers close around the cool device, and she squints at the screen as she opens it, not wearing her glasses yet. By the lockscreen, she immediately can tell that this is not her phone, though—it’s Jo’s. She’s about to close it and put it back when the name at the top of the screen makes her freeze. Ash.

Her stomach twists. She knows that name and she knows it well. Asher. Jo’s boyfriend.

Maybe she doesn’t mean to look, maybe she does. Either way, the messages are right there, impossible to ignore.

Ash 💓

Hi baby I know it’s early

Just wanted to say I miss you

and love you

And I can’t wait to see the media day flicks you better send me them all

Paige stares at the screen for a long moment, her chest tightening in a way she doesn’t—but also might—understand. She knows she should stop looking, that this is a complete violation of Jo’s privacy, but her eyes tracy the words again. Baby. I miss you. I love you. They feel like a slap.

She exhales sharply, locking the phone and setting it back on the nightstand. Her case flicks back to Jo, still fast asleep. Her face is serene and peaceful and Paige feels an overwhelming rush of emotions. It’s not jealousy. It’s not. She’s not jealous. She has no right to be jealous of two high school sweethearts that literally grew up next door together that are probably soulmates and are someday going to get married and have babies.

She’s not jealous of that.

But, nonetheless, the knot in her stomach doesn’t go away.

She unentangles herself carefully, shifting her leg and arm away from Jo’s, mindful not to wake her. Jo murmurs something again, soft and sleepy, and Paige pauses for a second before slipping off the bed entirely. She needs space. Air.

She pads to the bathroom, closing the door behind her and leaning against it for a moment. Her hands grip the edge of the sink, and she stares at her reflection in the mirror. Her hair is a mess, her face slightly puffy from sleep.

She shakes her head, turning on the faucet to splash cold water on her face. It doesn’t help much.

Paige forces herself to focus, to push away the strange feelings clawing at her. Jo is her roommate, her freshie, and, yeah, basically her best friend now. And that’s all this is. That’s all it will ever be. She needs to stop overthinking. She needs to get ready for the day.

But even as she brushes her teeth and begins to brush through her hair, her thoughts keep circling back to those texts. To Asher. To Jo. And to the way Jo’s body had felt so warm and close and right against hers just minutes ago.

PAIGE STANDS in front of the mirror in the locker room, adjusting her uniform and smoothing her jersey. The bold, navy #5 stitched on the front catches her eye, and for a moment, she lingers. It feels almost strange, wearing the jersey she won’t be able to play in this season.

Not that she hasn’t come to terms with it. Paige is good at keeping herself together now, even if the pang of frustration hasn’t entirely disappeared—and won’t, she knows, until she gets to play again. But she’s learned to deal with it, to channel her energy elsewhere. If she can’t be on the court, she can still be here—still lead, still help her team in every way she can.

Her hair is perfectly straightened, sleek and sharp, the way she likes it. Her makeup looks good, too—just enough to emphasize her sharp cheekbones and blue eyes, but nothing overdone. The uniform ties it all together, making her look just like the player she’s supposed to be, the one she still is even if she’s stuck on the sidelines.

She takes a couple mirror pics—her annual media day mirror pics. They come out well, and she posts them to Instagram with the caption “5’ll be back soon,” because it will. She will.

By the time the day is in full effect, Paige knows the drill: photos, videos, soundbites for promos. She takes a few solo shots first, her expression switching between serious and smiles for the camera. Then it’s duo photos—first with Azzi, then with Nika and Aaliyah, her classmates. They laugh and joke between snaps, Nika managing to pinch Paige and Aaliyah during one, probably getting a perfect reaction picture.

Whilst Jo is getting her photos done, Paige is off to the side, hyping her up. When she makes Jo laugh—loud and sudden, the kind that makes her throw her head back—Paige is the one who catches the photographer’s eye. He gestures for her to join Jo, saying how he likes their energy together. Paige does as he asks, coming into view of the camera.

They stand side by side, first posed with their arms crossed, meant to look tough and intimidating. Then, the photographer tells Jo to lean her arm casually on Paige’s shoulder. Jo does, and it feels so normal, so them, that Paige doesn’t even notice how close they are until the photos pop up on the photographer’s screen.

“Yo,” Paige says, leaning in closer to the preview image. “We look good.”

Jo grins, nudging the blonde with her elbow. “Yeah, we do.”

And they do. There’s something about the way they look together—Jo’s darker features contrasting with Paige’s lighter ones, their postures balanced between playful and powerful—that feels striking.

When the photographer tells them they’re done, Jo taps Paige on the back lightly, her touch lingering for a half-second too long. Paige pretends not to notice.

They continue on through a mix of photos, promo videos, and shorter interviews. Paige’s role as “Coach P,” as everyone’s begun calling her, doesn’t go unnoticed.

Nika, of course, has to chime in. “That girl ain’t my coach,” she mutters loud enough for everyone to hear, shaking her head while she stirs a few laughs from their teammates and some of the media coordinators.

Paige rolls her eyes but before she can respond, Jo cuts in, throwing her arms around Paige’s shoulders from behind and resting her chin right by Paige’s neck. “You’re right, Nik,” Jo says, her voice teasing as her arms tighten slightly around Paige. “She’s not your coach. She’s mine.”

Nika hisses at her in mock annoyance, making Jo laugh loudly as she lets go of Paige—though not before making sure to squeeze Paige’s shoulders fondly.

Paige hardly notices the way Nika flicks at Jo’s arm afterwards, or the way Jo sticks her tongue out at her. Instead, her brain replays the words—she’s mine.

Mine, mine, mine, mine.

It’s not like that, though. And, goddamn, she has to get herself together.

Luckily, she has an interview waiting for her, so she doesn’t have long to continue dwelling on it. Except, actually, she thinks she might be unlucky, because when she spots Celeste Sinclair waiting for her with that soft little smirk and a glint in her eyes, Paige almost groans aloud.

She supposes she did this to herself, though. It’s not like she didn’t know Celeste was one of their media girls when she started fucking her—it’s literally how they met.

As Paige approaches, Celeste’s eyes sweep over her, lingering just a fraction too long on the way her uniform fits. Paige notices it immediately, and begins to steel herself.

“Paige,” the redhead greets, her tone syrupy and professional, but there’s a flicker of something else underneath. Something Paige is very familiar with.

“Celeste,” Paige replies evenly, keeping her expression neutral. She folds her hands in front of her, trying not to let her irritation show. She doesn’t have time for this—doesn’t have the patience or willpower to handle another girl turned obsessed—but media day is about appearances, so she plasters on a polite smile and takes the mini mic Celeste offers her.

The questions start predictably enough. Celeste asks about her recovery, her plans for the future, how she’s adjusting. Paige answers each question with the kind of practiced ease she’s managed to master over the years. She talks about her rehab process, about staying focused, about how the comeback will be stronger than the setback. The words feel automatic now, almost rehearsed.

Still, it stings a little. Every time she’s reminded that she won’t touch the court this season, that she’ll have to watch from the bench while her teammates fight for another championship, there’s a flicker of frustration she can’t quite extinguish.

But she doesn’t let it show. Obviously.

Celeste presses on, asking something about how Paige is adapting to her new role as a leader from the bench, and Paige forces herself to smile through it. She talks about embracing the role of “Coach P,” about how it’s just as important to support the team off the court as it is on it. She doesn’t let her voice waver, doesn’t let any of the bitterness slip through.

When the interview finally wraps, Paige exhales quietly, ready to walk away—but Celeste steps closer, cutting her off.

“So,” Celeste says, her voice dropping just enough to make it clear this part isn’t for the cameras. “You’ve been busy out west, yeah? I—you haven’t been back at all lately.”

Paige sighs a little. “Yeah, well. Rehab and stuff. You know how it is.”

Celeste tilts her head. “I do. Still, I thought you might text or call or something. I left you a few messages, but you never answered.”

Paige resists the urge to roll her eyes. Celeste’s persistence is both flattering and annoying. Yeah, the sex had been good—but was it genuinely good enough for Celeste to continuously run after Paige when she’s made it more than obvious that she doesn’t really want her? Paige doesn’t think so.

But, then again, Paige is better with her tongue and fingers than Celeste is.

“Been busy,” Paige says again, brushing her off.

The red-haired girl doesn’t seem deterred, though. She leans in just slightly, murmuring, “Well, if you’re not too busy tonight or even later this week… ?”

Paige starts to shake her head, ready to shut it down. She has enough girls in her bed back in LA that she doesn’t need to make up for it here while she’s only back for a few days.

But then—her mind flashes to this morning. To Jo. To the messages from Asher. The pit that settles in her stomach when she saw the I love you and I miss you and the baby. Something about it still lingers, sharp and annoying, and Paige can’t quite shake it.

Before she really thinks about what she’s doing, she hears herself saying, “Actually, I am free tonight.”

Celeste’s face lights up, her smile widening. “Yeah?”

“Yeah,” Paige echoes, her tone casual, like she isn’t committing to something she’s already dreading a little. “I fly back to LA in a couple days, so tonight works.”

Celeste doesn’t bother hiding her excitement. “Perfect. Come over later?”

Paige nods and Celeste looks almost giddy as she finally walks away.

As Paige rejoins her teammates, sitting next to Jo, the brunette smirks at her a little, judging her arm and asking, “Again?”

Paige feels heat rushing up her neck and into her cheeks. “Stop, it’s nothing,” she says quickly.

Jo doesn’t press or tease her much like anyone else would, just letting out a little laugh under her breath before getting up for one of her own interviews.

Paige can’t help but watch her during it. And think.

Jo, asleep in her bed this morning, soft and peaceful and pretty. Jo, laughing loudly during their photoshoot. Jo, whose phone had lit up with messages from a boyfriend that Paige can’t stand to think about.

Her jaw tightens slightly, and she shoves the thoughts aside. She’s going to Celeste’s tonight. At least she’ll be doing something.

[utenixx]

For a friend

[triptychofvoids]

good news! i have kofi memberships available now!

we have tier 1 for $1 a month, which will give access to wips, tier 2 for $3 a month, which will give access to wips and unposted drawings, and tier 3 for $5 a month, which will give access to wips, unposted drawings, and nudity/light nsfw! these will be posted to kofi every month, most likely within the first week of each month (or maybe sometimes extra, if i end up having A Lot of art to share) :]

dont worry though, there is no pressure to this and i will not be putting any of my usual posts behind a paywall!! this is merely an extra way to support me if you like my art and would like to do so, and of course if you would like to get some additional pretty pictures in return aheh

[here is a link to my kofi] for those who are interested ^^

[spelons]

[gotta-winwin]

𓆩🖤𓆪 ... falling in love through songs pt.1 - teaser

⭐ starring: vernon

💬 preview: you really wished someone would've told you that the rockstar you'd be photographing for on his tour was Hansol from school. Yes, that Hansol. Your ex-boyfriend Hansol.

tw/cw: rockstar!vernon x photographer!reader, second chance romance, exes to lovers, sworn enemies to lovers, forced proximity, a cheeky joshua, lots of banter full tw will be posted with the full fic

🪽fic rating/teaser rating: pg/16+

🪽tentative release date: jan 20

☁️ masterlist & a/n: here i am once again with a vernon fic, but this time to kick off our 500 followers event! this one is based on the song heart out by the 1975, one especially close to my own heart.

this is a part of my 500 followers event

“Hear me out.” Joshua spread his arms as if to hug the air in front of him. “The two of us, on tour, in a tour bus, a fat paycheck.” 

You pursued your lips, biting back a smile. His proposition had sounded tempting even over the phone, where he had offered you a photography job on the tour he was managing, a spot on the bus and front row seats to every show. 

“It’ll be fun!” He continued, driving the nail in further. “The guy I manage- he’s a chill dude, great rockstar. You’d get along great.” 

“What did you say his name was again?” You asked, looking over the contract he had given you one more time. 

“Vernon.” Joshua nudged your arm, pushing you to sign. “C’mon. It’ll be like the old days again, bandwagoning across the country in the name of making art.” He placed the last words in air quotations as he smiled. “And the paycheck doesn’t hurt.”

“Not at all.” It was a ridiculous amount of money. “When do we start?”

Clapping his hands, Joshua looked joyous to have you along. “First concert’s tomorrow, right here in New York. It starts at 8, but come earlier so you can meet the band first. I’ll introduce you to Vernon- oh, he’s going to be so psyched to see you.” 

As much as you loved his enthusiasm, the jitters of having such a high profile job was catching up to you, once again reminding you just how high the stakes were. You needed this job, for the money, for the recognition it’d give you - you needed it all. 

Flashing Joshua a bright smile, you nodded, looking more confident than you felt. “Great. I’ll go home, pack my things, and I’ll see you tomorrow!”

“Alright, sunshine.” Joshua chuckled as you struggled to put your coat back on, your childhood nickname rolling off his tongue like second nature. “I’ll see you tomorrow.”

“This was not the fucking deal, Josh.” 

You couldn’t believe your eyes as you stared, open-mouthed at the boy in front of you, decked out in silver chains, ripped jeans and sporting a backwards baseball cap. He all but screamed rockstar, yet you keep circling back to the fact that-

“Hansol?” 

-the fact that you knew him. Very well, in fact.

“Y/N?” 

He seemed just as astonished to see you, eyes darting suspiciously towards Joshua. “This, is my tour photographer?” 

“This?” You cried out indignantly, turning to Joshua as well. “Did it just not cross your mind to mention that your rockstar happened to be Hansol from school?” 

“Well-” Joshua put his hands up in defence, the large grin on his face betraying how much he was enjoying the moment. “Surprise?” 

“Joshua!” Both you and Vernon yelled out, anger escaping as the two of you contemplated whether or not throttling Joshua would be worth the consequences.

“I am not staying on a tour bus with her.” Vernon pointed an accusatory finger your way. “Especially not for four months. I’d rather throw myself off a cliff.” 

“I’d rather chop off my own finger and eat it.” You hissed back, equally disgusted at the idea of sharing your space with him. 

“Contract’s signed.” Joshua shrugged, his eyes dancing with mirth as he watched the two of you glare daggers at one another. “Jeez. It’s like the air in here could kill or something.”

“I do not want to breathe the same air as him.” You stabbed a finger at Vernon.

“I hope you choke on it and die.” He punctuated the last word with fervor. 

“Ditto.” 

Joshua let out a deep sigh, pinching the bridge of his nose. “I’m starting to regret this. Were you guys always this...stabby?” 

“Yes.” Chan poked his head out from the green room. “Ever since they broke up they’ve been literal bitches. Whatever happened to hey, Chan, we’ll still be friends! This won’t break the friend group apart!” He frowned, disapprovement evident on his face. Time still hadn’t erased the betrayal he had felt when the two of you broke up, killing their friend group with suffocating silence. 

“Whatever.” Vernon muttered, turning away, shoving his in-ears back into his ears. “Stay away from me.” 

“With the utmost pleasure.” 

[anxietymadmax]

Fixed it :]

So, guess who forgot to colour in someones irises and didn't notice for a month?

hmm yes I do art and I always remember to do things before posting.

When I first noticed I didn't think the original suffered too much, and it still doesn't, but damn it does just look better now. Ah well.

Yes, well, I've seen my fairy-tale ending, and...

(alt version and comments below)

Got quite a few things out of this one.

Got round to drawing The Long Quiet, which was fun, I like his design a lot.

Dedicated the whole thing to my single favourite line from the game, which was the tipping point of breaking my heart playing this route (which, btw, was the third one I got in my first ever playthrough, which was a bloody rollercoaster).

And, with this, I have now drawn 4 out of my 5 favourite princesses from the game, and let me tell you I am not keen to draw Perfect Razor any time soon. It's more than likely I will return to drawing stp stuff but, for the first time since I did the Nightmare drawing, I don't have any pressing ideas for it.

For good measure, also a version without the text:

[ratguy-nico]

GENEUARY!!!! 2025!!! (which is an awesome year cause year ending in 5 how I love 5! (not more than 7 though)(maybe a little))

So first day a day later and not following the prompts at all cause I literally did this today after breakfeast cause breakfast is the most important meal of the day

So espontaneus

I should have know I couldn't NOT draw my boy, not a boy not a girl, in their month I mean common, this is the event who saw me born, this is what change everything

Love you @golden--doodler thank u so much for this event

So, yeah, ejem, the prompt were KARAOKE AND FAMILY

here I come (Imagine me putting on glasses)(I actually should wear glasses)

The karoke part is that I was karaoking the song "Alone" sing by Gene in the episode "Roller? I Hardly Know Her" while doing this lil sketch and I invite you all to do the same.

And the family part is the family que me respalda (had my back) in our love for Gene, I hope to see you all on this month posting amazing art; drawings, fics, edits, whatever you want to celebrate our baby

A huge thanks to @xgardensinspace for... talking to me and made me super inspire

THIS JUST A SKETCH DONT BE HARSH

love drawing horses, they are just so great (Tina dear I get you)

[cer-rata]

Cerata's 2024 End of Year Artist shoutouts! (part 1)

Okay so this year was the first time I'd really participated in fandom in over a decade, but I'm truly glad I did because I met a ton of great people, and even got to work on projects with some of them. So I wanted to put all of the cool visual art that I've received last year, whether it be art trade, commission, part of an event, or...fanart? Because that happened somehow?

Anyway, there are a number of other people that I worked with last year, but a bunch of that art started near the end of the year, and as such is not finished yet, hence why this post will be two parts, one now, and the second when everyone else finishes up.

No particular order, all of these artists are great, and lovely people, so do go check out the rest of their work and tell them how cool they are, yeah? Also, some are currently open for commissions, so keep an eye out for that.

(Also, this is my first time trying to do ID text, so bear with me if they're a little rough, despite being a writer, I hate words?)

So first we have @fiyaharts with a lovely illustration of a number of the my favorite Krypton and Krypton-adjacent children. Shadi is lovely to work with and fast to the point where it spooked me a little bit, go off girl.

Next we have two pieces from my favorite Evil Woman Apologist, @vivictory-draws, one of a divorced Barbara and Kara being totally normal about it, and the other of my child and blorbo that haunts my waking hours, Conrad. Love N to death, which is why I haunt her with threats of commissioning Joker/Desaad Yaoi.

...Maybe for the next list, who knows...

So next we have the art created for the last @womenincomicsminibang (which is going to be returning with a reverse bang in a few months, keep an eye out on that.)

The lovely and evocative cover was done by the talented @breakingthespacetimewall, and the scenes of Cassie trying and failing to get her life together were done by the wonderful @soop-jpg

Working with them was a pleasure and honor, and their dedication and kindness really helped me through finishing that fic, and I remain incredibly grateful for that.

The first person I worked with this last year, and the one who really helped solidify the core of a lot of my projects, @nicodrawings drew a glorious cover for my mania-induced first longfic, and also a character reference for the aformentioned disordered young man who haunts my waking hours. She's a professional through-and-through, with wonderful instincts and great communication. She's also working on a fan-comic project of her own that I think is wonderful and am excited to see continue.

I lucked out and was paired with the super chill, super talented @byeara on my first fan project ever, and they hooked me up with this super fun and detailed cover for the fic I wrote for that one kon-centric minibang. I loved working with them, and would love to do so again, logistics willing.

This jerk @vnekey made me cry by drawing really sweet, totally unexpected fanart for that mania-fic I wrote. I'm still a little speechless really, I'd never gotten fanart of any sort for any reason before, and to receive something so lovely as the first thing really touched me deeply, and honestly kept me writing through some rough patches.

...Fight me!

My first ever art trade! Kind of! @spider-jaysart is super sweet and supportive and made my...second biblically (is there a Source bible? Are there religious Coluans?) cursed son and his hapless, frankly narratively cursed best buddy look so precious that they ALSO made me cry, can we stop that actually--

Speaking of my cursed son and his narratively cursed Kryptonian, @spicy-apple-pie created this really pretty piece that's...a number of weird deep cuts smushed together into something really specific, but neat if you have the context, which nobody does :3

She was so wonderful and patient and I really enjoyed seeing her run with her inspiration, the Kryptonian mural is super neat and not something I would have ever come up with on my own.

@mediaraiz Is really stylistically flexible, and their "Blob" style really scratched that itch I had for something cute and playful, and they were so game in taking on a larger project, and then went above and beyond in making my lanterns looks truly special.

Finally (for now), @riverdeansart drew a sweet little scene of two horrifyingly stressed totally fine spacebros chilling and chatting about how everything is completely okay!

I was super vague about this one and Dean did a great job getting the vibes right anyway, and with haste.

...So yeah, that's if for now! I'll circle back in a bit when I'm forced to let more artists out of my basement everything else is done!

[imotaru]

Yay! This is my first post here 🎉

I want to show you an art I drew a few months ago. Meet one of my mlp OC—her name is Glacier Blank, and I ADORE HER. In short, she's a polar pony, a brilliant scientist who devotes almost all her time to work

Soon, I'm planning a little redesign for her

I also attached a video of the process of drawing this art

[mostlysignssomeportents]

Chapter One of “Picks and Shovels” (Part 1)

Picks and Shovels is a new, standalone technothriller starring Marty Hench, my two-fisted, hard-fighting, tech-scam-busting forensic accountant. You can pre-order it on my latest Kickstarter, which features a brilliant audiobook read by Wil Wheaton.

My next novel is Picks and Shovels, out next month. It's tells the origin story of Martin Hench, my hard-charging, scambusting, high-tech forensic accountant, in a 1980s battle over the soul of a PC company:

https://us.macmillan.com/books/9781250865908/picksandshovels

I'm currently running a Kickstarter to pre-sell the book in every format: hardcover, DRM-free ebook, and an independently produced, fabulous DRM-free audiobook read by Wil Wheaton, who just nailed the delivery:

https://www.kickstarter.com/projects/doctorow/picks-and-shovels-marty-hench-at-the-dawn-of-enshittification

Picks and Shovels opens with a long prologue that recounts Marty's misadventures as a failing computer science student at MIT, his love-affair with computers, and his first disastrous startup venture. It ends with him decamping to Silicon Valley with his roommate Art, a brilliant programmer, to seek their fortune.

Chapter one opens with Marty's first job, working for a weird PC company (there were so many weird PC companies back then!). I've posted Wil's audio reading of chapter one as a teaser for the Kickstarter:

https://www.youtube.com/watch?v=IGXz1mkAd2Q

(Here it is as an MP3 at the Internet Archive:)

https://ia600607.us.archive.org/5/items/picks-and-shovels-promo/audio.mp3

The audio is great, but I thought I'd also serialize the text of Chapter One here, in five or six chunks. If you enjoy this and want to pre-order the book, please consider backing the Kickstarter:

https://www.kickstarter.com/projects/doctorow/picks-and-shovels-marty-hench-at-the-dawn-of-enshittification

Chapter One

Fidelity Computing was the most colorful PC company in Silicon Valley.

A Catholic priest, a Mormon bishop, and an Orthodox rabbi walk into a technology gold rush and start a computer company. The fact that it sounded like the setup for a nerdy joke about the mid-1980s was fantastic for their bottom line. Everyone who heard their story loved it.

As juicy as the story of Fidelity Computing was, they flew under most people’s radar for years, even as they built a wildly profitable technology empire through direct sales through faith groups. The first time most of us heard of them was in 1983, when Byte ran its cover story on Fidelity Computing, unearthing a parallel universe of technology that had grown up while no one was looking.

At first, I thought maybe they were doing something similar to Apple’s new Macintosh: like Apple, they made PCs (the Wise PC), an operating system (Wise DOS), and a whole line of monitors, disk drives, printers, and software.

Like the Mac, none of these things worked with anything else—you needed to buy everything from floppy disks to printer cables specially from them, because nothing anyone else made would work with their system.

And like the Mac, they sold mostly through word of mouth. The big difference was that Mac users were proud to call themselves a cult, while Fidelity Computing’s customers were literally a religion.

Long after Fidelity had been called to the Great Beyond, its most loyal customers gave it an afterlife, nursing their computers along, until the parts and supplies ran out. They’d have kept going even then, if there’d been any way to unlock their machines and use the same stuff the rest of the computing world relied on. But that wasn’t something Fidelity Computing would permit, even from beyond the grave.

I was summoned to Fidelity headquarters—in unfashionable Colma, far from the white-hot start-ups of Palo Alto, Mountain View, and, of course, Cupertino—by a friend of Art’s. Art had a lot more friends than me. I was a skipping stone, working as the part-time bookkeeper/accountant/CFO for half a dozen companies and never spending more than one or two days in the same office.

Art was hardly more stable than me—he switched start-ups all the time, working for as little as two months (and never for more than a year) before moving on. His bosses knew what they were getting: you hired Art Hellman to blaze into your company, take stock of your product plan, root out and correct all of its weak points, build core code libraries, and then move on. He was good enough and sufficiently in demand to command the right to behave this way, and he wouldn’t have it any other way. My view was, it was an extended celebration of his liberation from the legal villainy of Nick Cassidy III: having narrowly escaped a cage, he was determined never to be locked up again.

Art’s “engagements”—as he called them—earned him the respect and camaraderie of half the programmers and hardware engineers in the Valley. This, in spite of the fact that he was a public and ardent member of the Lavender Panthers, wore the badge on his lapel, went to the marches, and brought his boyfriend to all the places where his straight colleagues brought their girlfriends.

He’d come out to me less than a week after I arrived by the simple expedient of introducing the guy he was watching TV with in our living room as Lewis, his boyfriend. Lewis was a Chinese guy about our age, and his wardrobe—plain white tee, tight blue jeans, loafers—matched the new look Art had adopted since leaving Boston. Lewis had a neat, short haircut that matched Art’s new haircut, too.

To call the Art I’d known in Cambridge a slob would be an insult to the natty, fashion-conscious modern slob. He’d favored old band T-shirts with fraying armpit seams, too-big jeans that were either always sliding off his skinny hips or pulled up halfway to his nipples. In the summer, his sneakers had holes in the toes. In the winter, his boots were road-salt-crusted crystalline eruptions. His red curls were too chaotic for a white-boy ’fro and were more of a heap, and he often went days without shaving.

There were members of the Newbury Street Irregulars who were bigger slobs than Art, but they smelled. Art washed, but otherwise, he looked like a homeless person (or a hacker). His transformation to a neatly dressed, clean-shaven fellow with a twenty-five-dollar haircut that he actually used some sort of hairspray on was remarkable. I’d assumed it was about his new life as a grown-up living far from home and doing a real job. It turned out that wasn’t the reason at all.

“Oh,” I said. “That makes a lot of sense.” I shook Lewis’s hand. He laughed. I checked Art. He was playing it cool, but I could tell he was nervous. I remembered Lucille and how she listened, and what it felt like to be heard. I thought about Art, and the things he’d never been able to tell me.

There’d been a woman in the Irregulars who there were rumors about, and there were a pair of guys one floor down in Art’s building who held hands in the elevator, but as far as I knew up until that moment, I hadn’t really ever been introduced to a homosexual person. I didn’t know how I felt about it, but I did know how I wanted to feel about it.

So Art didn’t just get to know all kinds of geeks from his whistle-stop tour of Silicon Valley’s hottest new tech ventures. He was also plugged into this other network of people from the Lavender Panthers, and their boyfriends and girlfriends, and the people he knew from bars and clubs. He and Lewis lasted for a couple of months, and then there were a string of weekends where there was a new guy at the breakfast table, and then he settled down again for a while with Artemis, and then he hit a long dry spell.

I commiserated. I’d been having a dry spell for nearly the whole two years I’d been in California. The closest I came to romance was exchanging a letter with Lucille every couple of weeks—she was a fine pen pal, but that wasn’t really a substitute for a living, breathing woman in my life.

Art threw himself into his volunteer work, and he was only half joking when he said he did it to meet a better class of boys than you got at a club. Sometimes, there’d be a committee meeting in our living room and I’d hear about the congressional committee hearing on the “gay plague” and the new wave of especially vicious attacks. It was pretty much the only time I heard about that stuff—no one I worked with ever brought it up, unless it was to make a terrible joke.

It was Murf, one of the guys from those meetings, who told me that Fidelity Computing was looking for an accountant for a special project. He had stayed after the meeting and he and Art made a pot of coffee and sat down in front of Art’s Apple clone, a Franklin Ace 1200 that he’d scored six months ahead of its official release. After opening the lid to show Murf the interior, Art fired it up and put it through its paces.

I hovered over his shoulder, watching. I’d had a couple of chances to play with the 1200, and I wanted one more than anything in the world except for a girlfriend.

“Marty,” Art said, “Murf was telling me about a job I thought you might be good for.”

The Ace 1200 would have a list price of $2,200. I pulled up a chair.

Fidelity Computing’s business offices were attached to their warehouse, right next to their factory. It took up half of a business park in Colma, and I had to circle it twice to find a parking spot. I was five minutes late and flustered when I presented myself to the receptionist, a blond woman with a ten – years – out – of – date haircut and a modest cardigan over a sensible white shirt buttoned to the collar, ring on her finger.

“Hello,” I said. “I’m Marty Hench. I—uh—I’ve got a meeting with the Reverend Sirs.” That was what the executive assistant I’d spoken to on the phone had called them. It sounded weird when he said it. It sounded weirder when I said it.

The receptionist gave me a smile that only went as far as her lips. “Please have a seat,” she said. There were only three chairs in the little reception area, vinyl office chairs with worn wooden armrests. There weren’t any magazines, just glossy catalogs featuring the latest Fidelity Computing systems, accessories, consumables, and software. I browsed one, marveling at the parallel universe of computers in the strange, mauve color that denoted all Fidelity equipment, including the boxes, packaging, and, now that I was attuned to it, the accents and carpet in the small lobby. A side door opened and a young, efficient man in a kippah and wire-rim glasses called for me: “Mr. Hench?” I closed the catalog and returned it to the pile and stood. As I went to shake his hand, I realized that something had been nagging me about the catalog—there were no prices.

“I’m Shlomo,” the man said. “We spoke on the phone. Thank you for coming down. The Reverend Sirs are ready to see you now.”

He wore plain black slacks, hard black shiny shoes, and a white shirt with prayer-shawl tassels poking out of its tails. I followed him through a vast room filled with chest-high Steelcase cubicles finished in yellowing, chipped wood veneer, every scratch pitilessly lit by harsh overhead fluorescents. Most of the workers at the cubicles were women with headsets, speaking in hushed tones. The tops of their heads marked the interfaith delineators: a block of Orthodox headscarves, then a block of nuns’ black and white scarves (I learned to call them “veils” later), then the Mormons’ carefully coiffed, mostly blond dos.

“This way,” Shlomo said, passing through another door and into executive row. The mauve carpets were newer, the nap all swept in one direction. The walls were lined with framed certificates of appreciation, letters from religious and public officials (apparently, the church and state were not separate within the walls of Fidelity Computing), photos of groups of progressively larger groups of people ranked before progressively larger offices—the company history.

We walked all the way to the end of the hall, past closed doors with nameplates, to a corner conference room with a glass wall down one side, showing a partial view of a truck-loading dock behind half-closed vertical blinds. Seated at intervals around a large conference table were the Reverend Sirs themselves, each with his own yellow pad, pencil, and coffee cup.

Shlomo announced me: “Reverend Sirs, this is Marty Hench. Mr. Hench, these are Rabbi Yisrael Finkel, Bishop Leonard Clarke, and Father Marek Tarnowski.” He backed out of the door, leaving me standing, unsure if I should circle the table shaking hands, or take a seat, or—

“Please, sit,” Rabbi Finkel said. He was fiftyish, round-faced and bear-shaped with graying sidelocks and beard and a black suit and tie. His eyes were sharp behind horn-rimmed glasses. He gestured to a chair at the foot of the table.

I sat, then rose a little to undo the button of my sport coat. I hadn’t worn it since my second job interview, when I realized it was making the interviewers uncomfortable. It certainly made me uncomfortable. I fished out the little steno pad and stick pen I’d brought with me.

“Thank you for coming, Mr. Hench.” The rabbi had an orator’s voice, that big chest of his serving as a resonating chamber like a double bass.

“Of course,” I said. “Thanks for inviting me. It’s a fascinating company you have here.”

Bishop Clarke smiled at that. He was the best dressed of the three, in a well-cut business suit, his hair short, neat, side-parted. His smile was very white, and very wide. He was the youngest of the three—in his late thirties, I’d guess. “Thank you,” he said. “We know we’re very different from the other computer companies, and we like it that way. We like to think that we see something in computers—a potential—that other people have missed.”

Father Tarnowski scowled. He was cadaverously tall and thin, with the usual dog collar and jacket, and a heavy gold class ring. His half-rim glasses flashed. He was the oldest, maybe sixty, and had a sour look that I took for habitual. “He doesn’t want the press packet, Leonard,” he said. “Let’s get to the point.” He had a broad Chicago accent like a tough-guy gangster in The Untouchables.

Bishop Clarke’s smile blinked off and on for an instant and I was overcome with the sudden knowledge that these two men did not like each other at all, and that there was some kind of long-running argument simmering beneath the surface. “Thank you, Marek, of course. Mr. Hench’s time is valuable.” Father Tarnowski snorted softly at that and the bishop pretended he didn’t hear it, but I saw Rabbi Finkel grimace at his yellow pad.

“What can I help you Reverend Sirs with today?” Reverend Sirs came more easily now, didn’t feel ridiculous at all. The three of them gave the impression of being a quarter inch away from going for each other’s throats, and the formality was a way to keep tensions at a distance.

“We need a certain kind of accountant,” the rabbi said. He’d dated the top of his yellow pad and then circled the date. “A kind of accountant who understands the computer business. Who understands computers, on a technical level. It’s hard to find an accountant like that, believe it or not, even in Silicon Valley.” I didn’t point out that Colma wasn’t in Silicon Valley.

“Well,” I said, carefully. “I think I fit that bill. I’ve only got an associate’s degree in accounting, but I’m a kind of floating CFO for half a dozen companies and I’ve been doing night classes at UCSF Extension to get my bachelor’s. I did a year at MIT and built my own computer a few years back. I program pretty well in BASIC and Pascal and I’ve got a little C, and I’m a pretty darned good debugger, if I do say so myself.”

Bishop Clarke gave a small but audible sigh of relief. “You do indeed sound perfect, and I’m told that Shlomo spoke to your references and they were very enthusiastic about your diligence and . . . discretion.”

I’d given Shlomo a list of four clients I’d done extensive work with, but I hadn’t had “discretion” in mind when I selected them. It’s true that doing a company’s accounts made me privy to some sensitive information—like when two employees with the same job were getting paid very different salaries—but I got the feeling that wasn’t the kind of “discretion” the bishop had in mind.

“I’m pretty good at minding my own business,” I said, and then, “even when I’m being paid to mind someone else’s.” I liked that line, and made a mental note about it. Maybe someday I’d put it on my letterhead. Martin Hench: Confidential CPA.

The bishop favored me with a chuckle. The rabbi nodded thoughtfully. The priest scowled.

“That’s very good,” the bishop said. “What we’d like to discuss today is of a very sensitive nature, and I’m sure you’ll understand if we would like more than your good word to rely on.” He lifted his yellow pad, revealing a single page, grainily photocopied, and slid it over the table to me. “That’s our standard nondisclosure agreement,” he said. He slid a pen along to go with it.

I didn’t say anything. I’d signed a few NDAs, but only after I’d taken a contract. This was something different. I squinted at the page, which was a second- or third-generation copy and blurry in places. I started to read it. The bishop made a disgusted noise. I pretended I didn’t hear him.

I crossed out a few clauses and carefully lettered in an amendment. I initialed the changes and slid the paper back across the table to the bishop, and found the smile was gone from his face. All three of them were now giving me stern looks, wrath-of-God looks, the kind of looks that would make a twenty-one-year-old kid like me very nervous indeed. I felt the nerves rise and firmly pushed them down.

“Mr. Hench,” the bishop said, his tone low and serious, “is there some kind of problem?”

It pissed me off. I’d driven all the way to for-chrissakes Colma and these three weirdo God-botherers had ambushed me with their everything – and – the – kitchen – sink contract. I had plenty of work, and I didn’t need theirs, especially not if this was the way they wanted to deal. This had suddenly become a negotiation, and my old man had always told me the best negotiating position was a willingness to get up from the table. I was going to win this negotiation, one way or another.

“No problem,” I said.

“And yet you appear to have made alterations to our standard agreement.”

“I did,” I said. That’s not a problem for me, I didn’t say.

He gave me more of that stern eyeball-ray stuff. I let my negotiating leverage repel it. “Mr. Hench, our standard agreement can only be altered after review by our general counsel.”

“That sounds like a prudent policy,” I said, and met his stare.

He clucked his tongue. “I can get a fresh one,” he said. “This one is no good.”

I cocked my head. “I think it’d be better to get your general counsel, wouldn’t it?”

The three of them glared at me. I found I was enjoying myself. What’s more, I thought Rabbi Finkel might be suppressing a little smile, though the beard made it hard to tell.

“Let me see it,” he said, holding his hand out.

Bishop Clarke gave a minute shake of his head. The rabbi half rose, reached across the table, and slid it over to himself, holding it at arm’s length and adjusting his glasses. He picked up his pen and initialed next to my changes.

“Those should be fine,” he said, and slid it back to me. “Sign, please.”

“Yisrael,” Bishop Clarke said, an edge in his voice, “changes to the standard agreements need to be reviewed—”

“By our general counsel,” the rabbi finished, waving a dismissive gesture at him. “I know, I know. But these are fine. We should probably make the same changes to all our agreements. Meanwhile, we’ve all now had a demonstration that Mr. Hench is the kind of person who takes his promises seriously. Would you rather have someone who doesn’t read and signs his life away, or someone who makes sure he knows what he’s signing and agrees with it?”

Bishop Clarke’s smile came back, strained at the corners. “That’s an excellent point, Rabbi. Thank you for helping me understand your reasoning.” He collected the now-signed contract from me and tucked it back under his yellow pad.

“Now,” he said, “we can get down to the reason we asked you here today.”

Check out my Kickstarter to pre-order copies of my next novel, Picks and Shovels!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/01/09/the-reverend-sirs/#fidelity-computing/

[cookieclover]

After a few months of planning, drawing, shopping and organising, I'm so exited to finally announce, my Ko-fi shop is FINALLY OPEN!

LINK: https://ko-fi.com/cookieclover/shop

Details below! <OPEN> (2/5 used)

So what exactly do I have to offer? For now, I've got 7 Transformers IDW stickers:

6 Transformers One 58 mm button pins:

And 4 art prints! 2 A6 (10.5 x 14.8 cm / 4.1 x 5.8 inch), and 2 squares (15 cm x 15 cm / 5.9 inch x 5.9 inch):

I've got another update already planned for the 8th of February, and if I'm able, there's going to be 4-6 news stickers, 2 prints, and a few pins!

Here's how to get the discount code: After deciding on the purchase DM me on Tumblr or Instagram, and if you're one of the first 5 people to write to me, I'll share with you the discount code! :3

A little story, and some sneak peaks under the cut ^^

I can't express how much this shop means to me, it's something that finally gave me a purpose, and helped me to get out of bed every day. Even if I don't get any sales, that's okay < 3 I'm just happy to continue creating, and sharing my love for Transformers with everyone.

To my friends and family, who supported me through the whole process, helped me with the photos, the spelling under my posts, the pin machine and everything else - THANK YOU, I LOVE YOU!!! <3

And here are the sneak peaks! Ooooh look, sticker sets? :3

[caitlynkirammansrifle]

Thank you!

Just wanted to say a quick thanks to everyone who has read Heart of Glass, My Mind of Stone, if you've left a comment, kudos, bookmark, or even followed me on here, left an ask, made that amazing fan art!! Thank you so much!

It's been exactly one month since I first posted it, not realizing where the story was going, and it's been an extremely fulfilling creative experience. The fact that it's miles above my most well received story, especially given that I haven't written in years, is the cherry on top.

As a treat, I'll announce here and maybe soon in the notes area of the fic, but Heart Made of Glass is getting a sequel! I already know the general plot and the opening scene.

There's still a good bit left of story for Heart Made of Glass, but we're definitely in the later half of it.

Thank you again. Now to get back to writing the next chapter :D

[wisteria-draws]

all credits to doody and maru! This is NOT traced, none of my art is, but I did have his ref sheet open cuz I was struggling with his well shampooed hair

this is a human benchmark for my new years resolution: get 1% better at drawing humans/human ish

Reblogs are really appreciated, this is kinda my first Fandom related post, and I want to draw one of the characters a month! Super excited for the new volume! >:3

fanart for @xmaruu11 and @kitsuneisi

[enjoythesilentworld]

2024 fandom review!

thank u for the tag @willesredlights sorry it took me literally ages to get to it

lets pretend we're not almost two weeks into the new year ok? and what a year it has been. holy shit.

~ Fics written ~

I'll be honest I did go a little batshit crazy this past year. 314k words across 19 published works, plus god knows how much more unpublished on tumblr. listen, I was deep in the ??? phase of my master's (still am, lets be honest) and desperately looking for a new creative outlet. I've always been a writer, always loved dreaming up stories, but I have never quite connected to a universe as much as I have to this one. I resonate with so many of the characters, and i just feel like there is so much room to play and explore. i will continue to add in old people OCs to my fics wherever and whenever i get the chance.

First fic: for the tree's sake (M, 48k) aka tree boys inspired by the trip that eventually led to my discover of young royals in late '23, and my darling baby. yes, that airplane ride that seems weird and random is based on truth!

Fav fic: just if for a minute (T, 53k) aka fake married idiots i greatly enjoyed making Wille suffer for just under 53k. that confrontation scene took days off my life and yet i am so proud of how it turned out.

Honorary mention to Growing towards the light, which was a dream to work on and create with my dear sweet friend Lia. there is one braincell between the two of us and it's full of nature facts and dick jokes. and beautiful stories about getting lost in the wilderness and finding yourself along the way. and tent-dick jokes.

Last fic: Wille på Hyllan (T, 13k) aka christmas shenanigans! another collab with my dearest friends which was hilarious to write and so silly and imo an example of one of the greatest perks of being in a fandom: meeting some of the most incredible people ever. also, dick-lights and dick-tomtar and dick-cookies. what more could you want?

~ Fics Read ~

if i tried to go through my history and tell you how many fics i read this year i would never make this post. i'd be here counting and trying to copy links forever. i read hundreds of fics. i enjoyed all of them, thoroughly. i got a lot better at leaving comments (sometimes). i was consistently and repeatedly blown away by the genius brains we have in this little Swedish corner of the internet.

if you are a writer i love you and i give u a kiss on the forehead.

also: i recently made a lil rec list here.

~ Other Stuff? ~

i had two big, busy months this year. three? : May, Wille's month & July, Simon's month i cannot believe i wrote 62 stories in 62 different universes (give or take a few). that's kind of stupid! but oh my god it was so fun!! some of my favs: -> Food, where Wille and Simon meet and embark on a mistakenly booked couples food tour in Barcelona -> Fashion/Style, aka the Met Gala AU aka the thing that turned into something so much bigger than i could have ever imagined. literally i thought people were gonna hate it. so, thank u for not hating it. and for letting it become 15k+ of pwp. -> Secret, friends to lovers RAHHHHHH -> Home (Improvement), aka grumpy home renovator Simon idk i just feel like this should become a full-blown fic one day

and oh boy who can forget about Kinktober from wax kinks in 17th century Italy to desperate love confession in the middle of wildfires to... whatever that was in the confessional (idk, that's between them and God).

2024...

I did some painting: x x I wrote some real weird lil ficlets: x x and I met dozens of incredible people. thank u for liking my stupid rambling posts from 3am and my silly little ficlets and for reading my stories and telling me about your stories and saving me from the Frankfurt airport and yelling with me about stuff thats definitely not in the Bible and sharing your time and space and art and care.

@bigalockwood @hergrandplan @gulliblelemon @saynomorefic @pagegirlintraining @skibasyndrome @sobadbad @impossibleknots @piebingo @theaviatorthatcouldnotfly @misfithive @sillylittleflower @zee-has-commitment-issues @purplehoodiesandclementines @justfriendsbestthings

giving u a big hug. and! this is by no means an exhaustive list. if ur reading this we are bffs. send me a message ok? ok. y'all keep me sane and happy and i am so grateful for you! live love wilmon